“I do a lot of thinking and digging and wondering now,” she says of her methods. Her frequent stage sojourns have included collaborations with Mike Leigh and Nicholas Hytner. More recently, Reeves has become a familiar face in high-end TV thrillers and period dramas, appearing in Luther, Wallander, Page Eight and Wolf Hall. Or as a hard-nosed barmaid in the foundational football hooligan text I.D. There she is as an incestuous temptress, opposite Clive Owen and Alan Rickman in Stephen Poliakoff’s steamy psychodrama Close My Eyes (1991). It is one of the perks – or perhaps hazards – of a long career. “I suppose it’s a nice way of showing how our lives can change beyond where we thought we would end up.”Īs a screen actor, Reeves has several of her own life stages recorded on film and available to reference. I mean, they’re not they’re the same person, but at very different stages in life,” says Reeves. “We didn’t get too hung up about that, because, really, they’re almost different people. Reeves did meet up with Gina Bramhill, the actor playing Connie’s younger self, but continuity between their performances was not a high priority.
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